Who was King Arthur?
King Arthur has a strong link to Wales, but how much is known of the man and his times?
King Arthur has evolved into a legend. Tales and romances celebrated the king and his court in the imaginative literature of Europe. Did Arthur really exist? What was he like? To find answers, it is necessary to look at two equally important sources of information: historical texts and archaeology.
When did King Arthur live?
The first mention of Arthur is thought to be a reference in a line from the poem, 'Y Gododdin', the earliest known work of literature in Welsh. The poem is from the 6th century, when much of western Britain (Wales, northern England and southern Scotland) spoke Welsh; the earliest surviving written form of the poem dates to the 13th century. The reference to Arthur in this source may be no earlier than the 9th century, but it demonstrates the fame of Arthur among the Welsh at this time.
The most important of the historical texts is the Historia Brittonum, the 'History of the Britons', which gives the earliest written record of Arthur who 'fought against them [the Saxons] with the kings of the Britons but he himself was leader [Duke] of Battles', winning twelve battles. The earliest version of this history is dated about AD829-830.
The Annales Cambriae, or 'Welsh Annals', probably compiled in the mid 10th century, record the date of one battle, the Battle of Badon in AD518, and Arthur's death at Camlann in AD537-9. This suggests that if Arthur was indeed an historical figure, he probably lived in the 6th century.
Where is King Arthur buried?
Early Welsh literature has many wondrous tales which form an important part of the Arthurian tradition. There are portrayals of Arthur in anonymous Welsh poetry found in 13th and 14th century manuscripts. In one of the poems of the Black Book of Carmarthen, Englynion y Beddau ('The Stanzas of the Graves'), Arthur's grave is described as a great wonder because no one knows where it is located.
The greatest of the Welsh Arthurian prose tales is Culhwch ac Olwen. An English translation of this and eleven other Welsh tales appeared for the first time in the 19th century, publication The Mabinogion. Four other tales in this collection focus on Arthur - the 'romances' of The Lady of the Fountain (or Owain), Peredur, and Geraint son of Erbin, together with the Dream of Rhonabwy which presents a satirical view of Arthur and his world.
Archaeology
The second key source of information about Arthur is archaeology. Archaeological evidence for contact between Wales, Cornwall and the Saxon World takes many forms - from metalwork manufactured in an Anglo-Saxon style discovered in south-east Wales, to the distribution of early medieval pottery imported from the Continent and the shores of the Mediterranean.
Excavations at Dinas Powys, a princely hillfort near Cardiff occupied between the 5th and 7th-centuries, has informed us about the nature of a high status site in south Wales at this time. This site is contemporary with others like South Cadbury in Somerset and Tintagel in Cornwall (both with their own Arthurian traditions).
Caerleon's Roman amphitheatre
The Roman amphitheatre at Caerleon has been known as the site of King Arthur's court since the 12th century, but is there any evidence to prove this was the case?
In AD1405, the French army, which had landed at Milford Haven to support Owain Glyn Dŵr in his uprising against the English Crown, reached Caerleon in South Wales. Here they visited 'King Arthur's Round Table'. According to a French source (Chronique Religieux de St Denys), the French visited 'The Round Table' of Arthurian legend. The Round Table was in fact the Roman amphitheatre of the legionary fortress of Isca.
Geoffrey of Monmouth had identified Caerleon as the court of King Arthur in his fictional epic, the 'History of the Kings of Britain' in 1136. This identification, close to the area of his upbringing, has been described as 'the fruits of a lively historical imagination playing upon the visible remains of an imposing Roman city'. Some of Roman Isca was still standing in the 13th century.
Caerleon soon appeared in popular Welsh and French writings by Dafydd ap Gwilym, Chrétien de Troyes and others as 'Arthur's Court', sealing this identification.
Arthur's Stone
Some half dozen Welsh Stone Age megaliths are called 'Arthur's Stone', and his name has also been given to an Iron Age hillfort on the Clwydian Range, Moel Arthur, near Denbigh. According to one tradition, King Arthur and his knights lie sleeping in a cave below Craig y Ddinas, Pontneddfechan, in south Wales.
Background Reading
Arthur in Medieval Welsh Literature by Oliver James Padel. Published by University of Wales Press (2001).
Arthur's Britain. History and Archaeology AD367-634 by Leslie Alcock. Published by Harmondsworth (1971).
The Arthur of the Welsh. The Arthurian Legend in Medieval Welsh Literature by Rachel Bromwich, A. O. H. Jarman and Brynley F. Roberts. Published by University of Wales Press (1991).
The Gododdin translated by A. O. H. Jarman. Published by Gomer Press (1988).
The Mabinogion, translated by Jeffrey Gantz. Published by Penguin (1976).
Comments - (11)
view. The fascinating nature of Ambrosius Aurelianus is he was a Celtic Romano-Britain, an orphaned child possibly from eastern Briton whose parents were likely Consuls of the old Roman ruling class. They were slain and this young man orphaned, which ironically fits the later 12th century legends. If this is true and our Arthur was the last of Roman nobility, his vengeance would fit such a motivation in leading Welsh/Celtic/Britons to some decisive last victories against the feudal kings of his age and the Germanic Saxon invaders they shipped over to those shores. That the last of Roman children remained behind with such courage to organize one last counter attack in the last dark years of Romanized Briton seems fitting to both the later legends and mystery surrounding who Arthur was. Yet this possibly assigns the man to a real historical figure clearly mentioned by Gildas as the hero of his age. We know that the name “Ambrocius” went on to fill many Welsh and British legends, including that of the origins of Merlin in very early manuscripts. This might prove that the myth surrounding Ambrosius Aurelianus went through many twists and turns before finally connecting back to the battle-chieftain hero Arthur in name that started to appear by the 8th century among the literature. I think we should not discount Ambrosius Aurelianus as our Arthur. If we trust Gildas 6th century text, where he shared such vivid accounts of this historical and heroic figure with the siege of Badon and decades of peace with invaders that followed (events later attributed to Arthur) then all that’s left for modern historians today is to piece together how Arthur, the legend, evolved over time and came to be a representation of this much older Roman figure. My theory for the evolution of this take involves Western European Celtic legends circulating in parts of France and Brittany that were brought over and layered over Welsh legends. These two combined to build the mashed form of Ambrocius/Arthur we have from Monmouth. But I’m not a scholar and my own theories are purely my own and limited by my own studies on this topic that are still ongoing.
Paham dydy Baram Blackett a Alan Wilson yn cael cyn llaied o cydnabyddiaeth ? Mae rhaid corddir dyfroedd I ddod at y gwirionedd. Ydyn nhw yn aelodau o'r Orsedd ?
King Arthur I 350 - 396 ad, fought the Romans in France, and was victorious.
King Arthur Ii, 490-579 ad, fought the Battle of Badden, (Baden), and the Battle of Camlann, and more.
In 'Arthur and the Charters of the Kings', the authors reorganised the Charters of Lancarvan, and the Charters of the Church of Llandaff, into chronological order rather than by region. Saints who were quite often Bishops, were designated Saints in their lifetime by the early apostolic Christian Church, by nature of their noble birth. Since the bishops crowned and buried the kings, and were related closely to the kings and other noble families, once organised correctly chronologically, bishops and kings overlapping, a clear picture emerged. The actual Charters, are records of gifts, often land, given by kings, and other nobles, to the church of Llandaff, in thanks to God, in penitence to God (after being excommunicated for committing some horrible act) and in return for the prayers of the Church for a dear deceased relative, etc.
Gildas, 'The Destruction of Britain' De Excidio Britanniae, 533 ad - 547ad, is a contempory of Arthur II.
Nennius, who drew on Gildas, but produced 17 chapters on King Gourthiigirnus, Vortigern. He also describes the victorious battles of Arhur II
The Welsh Annals- Annals Camriae -earliest record 444 ad continuing to 954 ad (gap of 27 years) and a last entry 977 ad, very much like a series of diary entries. Several versions of this document exist.The Brut of England. The death of King Arthur II, is the only date recorded in this document.
I could list all of Wilson and Blacketts original sources, but it would take a long time I suggest that you purchase these three books, they are available from the store at the Richplanet tv webite (Richard.D. Hall has interviewed Wilson and Blackett - interviews and programmes can be seen on YouTube) I advise getting an Amazontvfirstick, or equivalent, much more relaxing watching these interviews on a tv screen, rather than on a smaller screen - especially when maps are involved.
Good luck with your project, I hope all goes well. Don't hesitate to contact me if you have any questions.
If you send me an email, I can scan the 'contents' pages of these books for you, so you'll have an idea of the breadth of research involved in their production, before you commit to buying. I would also say, don't wait too long, these books sell fast; there were none available for several months recently, unless your willing to pay silly prices on Amazon or where ever.
Regards,
Angela
Thank you for your comment, there is a list of sources mentioned at the base of this article that will help you delve a little further into the origin of the legend.
I hope this helps,
Many thanks, Graham Davies, Digital Team, Amgueddfa Cymru.